The first two lines of the hymn are a rhetorical question: "My dearest Jesus, which crimes have you committed, that such dire judgement has been passed? Bach’s St. Matthew Passion: the alto aria, Erbarme dich, mein Gott (“Have mercy Lord, My God, for the sake of my tears”). Join Napster and play your favorite music offline. 18) Jesus asks his followers several times to support him but they fall asleep while he is praying in agony. These performances would … Read more. Bach: Matthäus-Passion - Arien & Chöre. St. Matthew Passion for 2 sopranos, alto, 3 tenors, 2 basses & chorus, SWV 479 ... eschewing the interpolation of arias and chorales commenting on the unfolding drama that would become ... the St. Matthew Passion, can be ascribed to that year with reasonable accuracy. There are fifteen arias in the St. Matthew Passion, all of which, with the sole exception of Aria 58, either are dances or else are animated by rhythms that suggest a body in motion. [21] Specifically, in 1780, the Cantor, Doles, had three of Bach's Passions performed, assumed to include the St. John and St. Matthew, and "possibly the St. Devrient was especially enthusiastic, hoping to sing the part of Jesus as he eventually did. Soliloquents are Judas (B), Peter (B), two witnesses (A T), two high priests (B), two maids (S), Pilate (B), and his wife (S). VIOLINISTS! The arias are taken from Bach's major works: Buss' und reu from and Erbarme dich from the St Matthew Passion, Wo zwei und drei and Zum reinen wasser which appear in the Eastertide cantatas, and the Agnus Dei from the B Minor Mass. The size of the organ lofts limited the number of performers for each Choir. —Paul Hertelendy, SF Bay Area music critic. Johann Sebastian Bach (1685~1750)- Matthäus-Passion, BWV 244 -(für solisten, doppel chor und doppel orchester)Teil 2 / 39. Bach: St. Matthew Passion, Choruses and Arias de Edith Mathis - Année de production 1980 5:50. Part I is closed by a four-part Chorale Fantasia (both choirs) on the chorale O Mensch, bewein dein Sünde groß (O mankind, mourn your great sins), recapitulating that Jesus was born of the Virgin to "become the intercessor". A small group is represented by Chorus I or Chorus II separately (Chorus I always for the disciples); High priests and larger groups of people are sung by Chorus I and II together. 3–479, Autograph score in the Berlin State Library (Staatsbibliothek zu Berlin), International Music Score Library Project, Translation to many languages, commentary, musical examples, list of recordings, The Passion according to Saint Matthew BWV 244, Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=St_Matthew_Passion&oldid=998536685, Passions and oratorios by Johann Sebastian Bach, Articles needing additional references from April 2017, All articles needing additional references, Articles with unsourced statements from July 2015, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. In the early version BWV 244b the chorale No. Each aria marks the musical summit of the work in question. 2.4.9.4 For Alto and Flute (Alici) 2.4.9.5 For Alto and Organ (Brunet) 2.4.9.6 For Harmonica and Guitar (Marcoux) 2.4.9.7 For Organ (Righetti) 2.4.9.8 For Piano (Jadassohn) 2.4.9.9 For Piano (Köhler) 2.4.10 Befiehl du deine Wege (Part II, No.53) 2.4.10.1 For 5 Flutes (Kamioka) 2.4.11 Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58) Two duets are sung by a pair of soloists representing two simultaneous speakers. Bach." Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner", a song by Claudia Schubert on TIDAL Typically, these are done with all performers in street clothes or neutral costumes, the orchestras on stage, at least the soloists singing without scores from memory, and the words acted out in a solemn, melodramatic fashion with only a minimal stage set. Choral movements come in two additional formats (apart from the turba and dialogue with soloist roles already mentioned above): Cornerstone choral movements, or chorale fantasias: these are the extended movements, typically used to open or close both parts of the oratorio. The request was only partially granted by the Town Council,[7] so possibly at least some of the Passion presentations in St. Thomas were with fewer than twenty singers, even for the large scale works, like the St Matthew Passion, that were written for double choir. Since 1975, it is usually assumed that Bach's St Matthew Passion was first performed on Good Friday 11 April 1727,[3] although its first performance may have been as late as Good Friday 1729, as older sources assert. Has been Temporarily Discontinued. [31] It took place on 11 March 1829 and was sold out quickly. 62, "tear me from my fears / through your own fear and pain." Choir II consists of SATB voices, violin I, violin II, viola, viola da gamba, cello, two traversos, two oboes (d'amore) and possibly continuo. The Bible story is told by the Evangelist (Ev) in secco recitative, and by the characters that have direct speech in the narrative. Contents. "Soldiers crown Jesus with thorns, mocking him", 14. 1727 sacred oratorio by Johann Sebastian Bach, Versions and contemporaneous performances, First version (BWV 244.1, previously 244b), Funeral cantata for Köthen (BWV 1143, previously 244a), Passion performances in the St. Thomas Church, Later revisions and performances (BWV 244.2, previously 244), Herzliebster Jesu, was hast du verbrochen, Without text (played by organ only) in older versions of the Passion, Klagt, Kinder, klagt es aller Welt, BWV 244a, St Matthew Passion structure § Numbering of the movements, List of chorale harmonisations by Johann Sebastian Bach § BWV 244–244b, Learn how and when to remove this template message. Many of the Alto arias selected here are amongst the most frequently performed extracts from the great Oratorios. O Mensch, bewein dein Sünde groß (Chorale fatasie, text by Sebald Heyden) [1727/1729 version: "Jesum lass ich nicht von mir"; 1742 and 1743–1746 versions: ripieno soprano choir added to soprano line], 68. The St Matthew Passion was probably first performed on 11 April (Good Friday) 1727 in the St. Thomas Church, and again on 15 April 1729, 30 March 1736, and 23 March 1742. At the garden of Gethsemane (No. Bach If my weeping and my wailing (St Matthew Passion) J.S. After the meal they go together to the Mount of Olives (No. One person found this helpful. Écoutez des chansons intégrales de St Matthew Passion, BWV 244: Aria (alto): Buss und Reu de Various Artists sur votre téléphone, ordinateur et système audio personnel avec Napster. Crucify Jesus, Pilate gives in, washing his hands claiming his innocence, and responsible for the `` meal. 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